All CARRACCI, Annibale 's Paintings
The Painting Names Are Sorted From A to Z
Oil On Canvas, Real Flavor of Old Masters
Choice ID Image  Painting (From A to Z)       Details 
5924 Assumption of the Virgin Mary dfg  Assumption of the Virgin Mary dfg   1600-01 Oil on canvas, 245 x 155 cm Cerasi Chapel, Santa Maria del Popolo, Rome
5923 Assumption of the Virgin sdf  Assumption of the Virgin sdf   c. 1590 Oil on canvas, 130 x 97 cm Museo del Prado, Madrid
5935 Atlante fgh  Atlante fgh   Sanguine Mus??e du Louvre, Paris
66052 Bacchantin, Detail  Bacchantin, Detail   c. 1590 112 x 142 cm (44.09 x 55.91 in)
32275 Butcher's Shop  Butcher's Shop   1580s Oil on canvas, 185 x 266 cm
5936 Ceiling fresco dfg  Ceiling fresco dfg   1597-1602 Fresco Palazzo Farnese, Rome
5928 Domine quo vadis df  Domine quo vadis df   1601-02 Oil on panel, 77,4 x 56,3 cm National Gallery, London
32277 Fishing  Fishing   before 1595 Oil on canvas, 136 x 253 cm
5934 Holy Women at the Tomb of Christ (detail) fg  Holy Women at the Tomb of Christ (detail) fg   Oil on canvas The Hermitage, St. Petersburg
5940 Homage to Diana ds  Homage to Diana ds   1597-1602 Fresco Palazzo Farnese, Rome
5925 Lamentation of Christ df  Lamentation of Christ df   1606 Oil on canvas, 92,8 x 103,2 cm National Gallery, London
63838 Madonna Enthroned with St Matthew  Madonna Enthroned with St Matthew   1588 Oil on canvas, 384 x 255 cm Gem?ldegalerie, Dresden This painting of the type 'Sancta Conversazione' has great significance in the formation of the Baroque style. The participants of this conversition - beside St Matthew with his attribute of the reclining angel - are St Francis of Assisi and St John the Baptist. The painting is dated and signed as HANNIBAL CARRACTIUS BON F. MDLXXXVIII.Artist:CARRACCI, Annibale Title: Madonna Enthroned with St Matthew Painted in 1551-1600 , Italian - - painting : religious
5929 Rest on Flight into Egypt ff  Rest on Flight into Egypt ff   c. 1600 Oil on canvas, diameter 82,5 cm The Hermitage, St. Petersburg
5931 Self-portrait dfg  Self-portrait dfg   c. 1604 Oil on wood, 42 x 30 cm The Hermitage, St. Petersburg
5930 Self-Portrait in Profile sdf  Self-Portrait in Profile sdf   1590s Oil on canvas Galleria degli Uffizi, Florence
5927 The Choice of Heracles sd  The Choice of Heracles sd   c. 1596 Oil on canvas, 167 x 273 cm Museo Nazionale di Capodimonte, Naples
5941 The Cyclops Polyphemus dfg  The Cyclops Polyphemus dfg   1595-1605 Fresco Palazzo Farnese, Rome
5926 The Flight into Egypt dsf  The Flight into Egypt dsf   1603 Oil on canvas, 122 x 230 cm Galleria Doria-Pamphili, Rome
5937 The Galleria Farnese cvdf  The Galleria Farnese cvdf   1597-1602 Fresco Palazzo Farnese, Rome
51191 The Laughing Youth  The Laughing Youth   1583 Oil on paper Galleria Borghese, Rome Capturing a moment of laughter in painting is not an easy task,
5932 The Martyrdom of St Stephen vcd  The Martyrdom of St Stephen vcd   1603-04 Oil on canvas, 51 x 68 cm Mus??e du Louvre, Paris
32290 The Virgin Appears to Sts Luke and Catherine  The Virgin Appears to Sts Luke and Catherine   1592 Oil on canvas, 401 x 226 cm
63844 Triptych  Triptych   1604-05 Oil on copper and panel, 37 x 24 cm (central panel), 37 x 12 cm (each wing) Galleria Nazionale d'Arte Antica, Rome The central panel shows the Piet? while on the wings St Cecilia (left) and St Ermenegildus are represented. This small triptych originally belonged to Cardinal Odoardo Farnese, and the Farnese inventories document it as a work of Annibale Carracci as early as 1619. The attribution to Annibale was unquestioned until 1956 when, for stylistic reasons, the tabernacle was assigned to the Carracci workshop and given specifically to the hand of Innocenzo Tacconi. Despite this, the general conception of the work was attributed to Annibale on the basis of a drawing preserved at the Louvre (Paris). More recently, the documentary research has proven that the painting was commissioned directly from the artist by Cardinal Farnese sometime after 1603, the year in which he was obliged to renounce his claims to the succession to the English throne. Considering the importance of the commission, it seems difficult to argue against attribution to Carracci himself. The high quality of the Piet?and stylistic comparison of this central panel to Annibale's many other treatments of the subject lead to the assignment of this part of the execution to the master. It is, however, possible that Annibale allowed assistants (Innocenzo Tacconi or Antonio Carracci) to work on secondary panels, as these are slightly different in some of the details of execution.Artist:CARRACCI, Annibale Title: Triptych Painted in 1551-1600 , Italian - - painting : religious
63845 Triptych  Triptych   1604-05 Oil on copper and panel, 37 x 24 cm (closed) Galleria Nazionale d'Arte Antica, Rome The closed triptych represents St Michael the Archangel (left) and the Guardian Angel (right).Artist:CARRACCI, Annibale Title: Triptych Painted in 1551-1600 , Italian - - painting : religious
5933 Triptych dsf  Triptych dsf   1604-05 Oil on copper and panel, 37 x 24 cm (closed) Galleria Nazionale d'Arte Antica, Rome
5939 Triumph of Bacchus and Ariadne (detail) dsg  Triumph of Bacchus and Ariadne (detail) dsg   1595-1605 Fresco Palazzo Farnese, Rome
5938 Triumph of Bacchus and Ariadne sdg  Triumph of Bacchus and Ariadne sdg   1597-1602 Fresco Palazzo Farnese, Rome
32289 Venus with a Satyr and Cupids  Venus with a Satyr and Cupids   c. 1588 Oil on canvas, 112 x142 cm
CARRACCI, Annibale
Italian Baroque Era Painter, 1560-1609 Painter, draughtsman and printmaker, brother of Agostino Carracci. Since his lifetime, he has been considered one of the greatest Italian painters of his age. His masterpiece, the ceiling (1597-1601) of the Galleria Farnese, Rome, merges a vibrant naturalism with the formal language of classicism in a grand and monumental style.



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